The Power Of Display

The Power of Display PDF
Author: Mary Anne Staniszewski
Publisher: MIT Press (MA)
ISBN: 9780262692724
Size: 60.10 MB
Format: PDF, ePub, Docs
Category : Art
Languages : en
Pages : 371
View: 865

Get Book

In this groundbreaking examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum—The Museum of Modern Art in New York.

Ausstellungsdesign

Ausstellungsdesign PDF
Author: Pam Locker
Publisher: Stiebner Verlag GmbH
ISBN: 383071405X
Size: 44.67 MB
Format: PDF, ePub
Category :
Languages : de
Pages : 183
View: 7304

Get Book

Eine willkommene Herausforderung für jeden Kreativen ist die Gestaltung einer Ausstellung und dieser Titel bereitet den Designer bestens darauf vor. Zunächst kann ein Streifzug durch die verschiedenen Ausstellungsarten und ihre jeweiligen Intentionen unternommen werden. Im Anschluss beleuchtet der Band alle Aspekte der kreativen Ausgestaltung von Räumen wie Präsentationsmittel und -techniken oder aber die Umsetzung und Aufgaben von Ausstellungsgrafiken. Der Leser erfährt zudem, wie ein Spannungsbogen aufgebaut und aufrechterhalten werden kann und wie man schließlich selbst eine Ausstellung organisiert.

The Family Of Man Revisited

The Family of Man Revisited PDF
Author: Gerd Hurm
Publisher: Routledge
ISBN: 1000213358
Size: 46.29 MB
Format: PDF, ePub
Category : Art
Languages : en
Pages : 318
View: 578

Get Book

The Family of Man is the most widely seen exhibition in the history of photography. The book of the exhibition, still in print, is also the most commercially successful photobook ever published. First shown at the Museum of Modern Art in New York in 1955, the exhibition travelled throughout the United States and to forty-six countries, and was seen by over nine million people. Edward Steichen conceived, curated and designed the exhibition. He explained its subject as `the everydayness of life' and `the essential oneness of mankind throughout the world'. The exhibition was a statement against war and the conflicts and divisions that threatened a common future for humanity after 1945. The popular international response was overwhelmingly enthusiastic. Many critics, however, have dismissed the exhibition as a form of sentimental humanism unable to address the challenges of history, politics and cultural difference.This book revises the critical debate about The Family of Man, challenging in particular the legacy of Roland Barthes's influential account of the exhibition. The expert contributors explore new contexts for understanding Steichen's work and they undertake radically new analyses of the formal dynamics of the exhibition. Also presented are documents about the exhibition never before available in English. Commentaries by critical theorist Max Horkheimer and novelist Wolfgang Koeppen, letters from photographer August Sander, and a poetic sequence on the images by Polish poet Witold Wirpsza enable and encourage new critical reflections. A detailed survey of audience responses in Munich from 1955 allows a rare glimpse of what visitors thought about the exhibition. Today, when armed conflict, environmental catastrophe and economic inequality continue to threaten our future, it seems timely to revisit The Family of Man.

Believing Is Seeing

Believing is Seeing PDF
Author: Mary Anne Staniszewski
Publisher: Penguin Books
ISBN:
Size: 72.77 MB
Format: PDF, Docs
Category : Art
Languages : en
Pages : 308
View: 3294

Get Book

This is a look at the principles of art history. Working from the thesis that modernity is the culture that invented what art is, the author by means of the pictorial essay offers a cultural critique of the contemporary circumstances that have influenced our notions of what art actually is, how we attempt to value it, how we have come to make a business of it. Like film, photography and other forms of mass culture, the author studies how popular taste influences the aesthetic criteria that determine its worth.

Exhibiting Craft And Design

Exhibiting Craft and Design PDF
Author: Alla Myzelev
Publisher: Taylor & Francis
ISBN: 1351724932
Size: 63.88 MB
Format: PDF, Docs
Category : Art
Languages : en
Pages : 212
View: 1483

Get Book

Exhibiting Craft and Design: Transgressing the White Cube Paradigm, 1930–present investigates the ways that craft and design objects were collected, displayed, and interpreted throughout the second half of the twentieth century and in recent years. The case studies discussed in this volume explain the notion the neutral display space had worked with, challenged, distorted, or assisted in conveying the ideas of the exhibitions in question. In various ways the essays included in this volume analyse and investigate strategies to facilitate interaction amongst craft and design objects, their audiences, exhibiting bodies, and the makers. Using both historical examples from the middle of the twentieth century and contemporary trends, the authors create a dialogue that investigates the different uses of and challenges to the White Cube paradigm of space organization.

The Politics Of Display

The Politics of Display PDF
Author: Sharon Macdonald
Publisher: Psychology Press
ISBN: 9780415153263
Size: 39.82 MB
Format: PDF, Docs
Category : Business & Economics
Languages : en
Pages : 246
View: 3661

Get Book

Met lit. opg. - Met reg. Exhibitions are never, and never have been, above politics. Rather, technologies of display and ideas about science and objectivity are mobilized to tell stories of progress, citizenship, racial and national difference. Description of the changing relationship between displays and their audience. It analyses the consequent shift in styles of representation towards interactive, multimedia and reflexive modes of display. Examples are taken from exhibitions of science, technology and industry, anthropology, geology, natural history and medicine, and locations include the United States of America, Australia, the United Kingdom, France, the Netherlands and Spain.

Rhetorics Of Display

Rhetorics of Display PDF
Author: Lawrence J. Prelli
Publisher: Univ of South Carolina Press
ISBN: 9781570036194
Size: 27.19 MB
Format: PDF, ePub
Category : Language Arts & Disciplines
Languages : en
Pages : 443
View: 1977

Get Book

Rhetorics of Display is a pathbreaking volume that brings together adistinguished group of scholars to assess an increasingly pervasiveform of rhetorical activity. Editor Lawrence J. Prelli notes in hisintroduction that twenty-first century citizens continually confrontdisplays of information and images, from the verbal images ofspeeches and literature to visual images of film and photography toexhibits in museums to the arrangement of our homes to themerchandising of consumer goods.

The Politics Of Cultural Programming In Public Spaces

The Politics of Cultural Programming in Public Spaces PDF
Author: Victoria Watts
Publisher: Cambridge Scholars Pub
ISBN:
Size: 10.71 MB
Format: PDF, Docs
Category : Social Science
Languages : en
Pages : 178
View: 3864

Get Book

Museum exhibits, public music performances, sports, art festivals - these events and spaces are truly immediate. While media might be involved, these phenomena are wholly different from broadcast mass media objects. This text interrogates these events and spaces in order to discover the ways in which they affect subjectivity.

Subject To Display

Subject to Display PDF
Author: Jennifer A. González
Publisher: Mit Press
ISBN: 0262516020
Size: 73.97 MB
Format: PDF, Mobi
Category : Art
Languages : en
Pages : 297
View: 636

Get Book

An exploration of the visual culture of "race" through the work of five contemporary artists who came to prominence during the 1990s. Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepón Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer González offers the first sustained analysis of their contribution, linking the history and legacy of race discourse to innovations in contemporary art. Race, writes González, is a social discourse that has a visual history. The collection and display of bodies, images, and artifacts in museums and elsewhere is a primary means by which a nation tells the story of its past and locates the cultures of its citizens in the present. All five of the American installation artists González considers have explored the practice of putting human subjects and their cultures on display by staging elaborate dioramas or site-specific interventions in galleries and museums; in doing so, they have created powerful social commentary of the politics of space and the power of display in settings that mimic the very spaces they critique. These artists' installations have not only contributed to the transformation of contemporary art and museum culture, but also linked Latino, African American, and Native American subjects to the broader spectrum of historical colonialism, race dominance, and visual culture. From Luna's museum installation of his own body and belongings as "artifacts" and Wilson's provocative juxtapositions of museum objects to Mesa-Bains's allegorical home altars, Osorio's condensed spaces (bedrooms, living rooms; barbershops, prison cells) and Green's genealogies of cultural contact, the theoretical and critical endeavors of these artists demonstrate how race discourse is grounded in a visual technology of display.

New Catholic World

New Catholic World PDF
Author:
Publisher:
ISBN:
Size: 62.45 MB
Format: PDF, Docs
Category :
Languages : en
Pages :
View: 1188

Get Book


The Deseret Weekly

The Deseret Weekly PDF
Author:
Publisher:
ISBN:
Size: 47.19 MB
Format: PDF, ePub, Docs
Category : Salt Lake City (Utah)
Languages : en
Pages :
View: 3630

Get Book


Art And The Power Of Placement

Art and the Power of Placement PDF
Author: Victoria Newhouse
Publisher:
ISBN:
Size: 19.38 MB
Format: PDF, ePub, Mobi
Category : Design
Languages : en
Pages : 303
View: 178

Get Book

Where and how an artwork is presented can enhance it or detract from it, or even alter its meaning. Depending on the display, painting and sculpture can denote a religious, political, decorative, or educational significance, as well as aesthetic and commercial value. Just how powerful the effect of placement can be is demonstrated in this book by in-depth case studies and comparisons of art installations around the world and from antiquity to the present, all richly illustrated. Author Victoria Newhouse continues the investigation she began in her last book,Towards a New Museum, of the critical relationship between container and contents. Not limited to museums, Newhouse branches out to explore noteworthy displays of art in commercial galleries and in private homes and gardens, as well as in a number of unusual venues. She concludes with some guidelines for display that apply as much to the hanging of a picture in a private interior as to the installation of a museum show.