Musical Instrument Design

Musical Instrument Design PDF
Author: Bart Hopkin
Publisher: See Sharp Press
ISBN: 1884365833
Size: 79.90 MB
Format: PDF, Docs
Category : Music
Languages : en
Pages : 181
View: 4261

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This is an encyclopedic, large-format book containing hundreds of illustrations. While not geared toward making conventional instruments, Musical Instrument Design provides all the information that anyone (amateur or professional) should ever need to construct an amazingly wide variety of percussion, string, and wind instruments. Includes many designs along with parts lists and detailed construction instructions.

Music Instrument

Music Instrument PDF
Author: Tifo books
Publisher:
ISBN:
Size: 78.87 MB
Format: PDF, ePub
Category :
Languages : en
Pages : 44
View: 148

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Buy this amazing and elegant coloring book for yourself or for someone you love 8,5x11 inches 44 pages instrument design stylish matte finish cover we hope you will enjoy coloring this book ♥♥

Musical Instrument Design

Musical Instrument Design PDF
Author: Pu Gu
Publisher:
ISBN:
Size: 63.42 MB
Format: PDF, Docs
Category : Instrumental music
Languages : en
Pages : 24
View: 3102

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Musical Instruments In The 21st Century

Musical Instruments in the 21st Century PDF
Author: Till Bovermann
Publisher: Springer
ISBN: 9811029512
Size: 34.31 MB
Format: PDF
Category : Technology & Engineering
Languages : en
Pages : 412
View: 6180

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By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?

Applications Of Feedback Control To Musical Instrument Design

Applications of Feedback Control to Musical Instrument Design PDF
Author: Edgar Joseph Berdahl
Publisher:
ISBN:
Size: 58.56 MB
Format: PDF, ePub, Docs
Category :
Languages : en
Pages :
View: 548

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In feedback control systems, the system variables being controlled--such as the velocity of vibrating strings or the position of motors--are estimated from sensor measurements, and the estimated information is fed back in order to influence the controlled variables. By controlling the system variables in this manner, the dynamics of the system can be fundamentally changed. We study how feedback control enables the design of radically new forms of musical instruments, with emphasis on two paradigms. The first paradigm is Feedback Controlled Acoustic Musical Instruments (FCAMI). Traditionally, musicians have owned many different kinds of acoustic instruments. Rather than requiring multiple instruments that have characteristic sound qualities, a musician might prefer to have a single instrument whose acoustics are essentially programmable. To achieve different or new sound characteristics, the musician could simply load a different instrument program, while the interface to the instrument would remain similar thus promoting skill transfer. We explain how to design feedback controllers with the goal of altering the dynamics of an acoustic instrument in musically salient ways. Positive real controllers are passive, so they are guaranteed not to add any energy to the acoustic musical instrument. As a consequence, they can be applied to any passive acoustic musical instrument in any configuration without driving it unstable. Finally, we relate positive real controllers to self-sustaining controllers for applications such as electromechanical bowing. The second paradigm is Haptic Musical Instruments (HMI). A haptic device can mechanically connect a musician to a virtual environment that synthesizes sound and provides force feedback. In this work, we study how to design the virtual haptic environment to assist a musician in making gestures to a musical instrument in a practical context. For example, the haptic drum provides a musician's drumstick with an extra push every time that the musician strikes the drum. This device allows the musician to make gestures that would otherwise be very difficult or impossible, such as arbitrarily long one-handed drum rolls and arbitrarily complex rudiments. To elucidate its behavior, we perform a nonlinear systems analysis of its dynamics. Next, we explain how to assist a musician in accurately selecting pitches from a continuous range on a Theremin-like haptic interface. We augment it with detents allowing the musician to feel the locations of equal-tempered pitches, yet the musician can still perform arbitrary pitch inflections such as glissandi, falls, and scoops. With the help of a subject test, we demonstrate that traditional detents as well as novel force-sensitive detents can provide accuracy improvements over simpler types of haptic feedback, such as spring feedback. In closing, we emphasize that the most appropriate type of haptic assistance depends on the task.

An Enactive Approach To Digital Musical Instrument Design

An Enactive Approach to Digital Musical Instrument Design PDF
Author: Newton Armstrong
Publisher: VDM Publishing
ISBN: 9783836419260
Size: 72.23 MB
Format: PDF, Kindle
Category : Music
Languages : en
Pages : 188
View: 948

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Digital musical instruments bring about new problems and prospects for musical performance. In An enactive approach to digital musical instrument design, Newton Armstrong argues that these problems and prospects are theoretical and philosophical as much as they are technical. Drawing on the enactive cognitive science of Francisco Varela and others, as well as the phenomenology of Martin Heidegger and Maurice Merleau-Ponty, Armstrong outlines a model of interaction based around circular chains of embodied interdependency between performer and instrument, and examines the ways in which technological resistance to human action plays a key role in the incremental acquisition of performative skill. This book is addressed to musicians and artists working with interactive systems, to theorists of new media, and to researchers and designers interested in human factors in computing.

New Digital Musical Instruments

New Digital Musical Instruments PDF
Author: Eduardo Reck Miranda
Publisher: A-R Editions, Inc.
ISBN: 089579585X
Size: 65.85 MB
Format: PDF, Kindle
Category : Music
Languages : en
Pages : 295
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xxii + 286 pp.Includes a Foreword by Ross Kirk

Musical Instruments Coloring Book

Musical Instruments Coloring Book PDF
Author: Ellen J. McHenry
Publisher: Courier Corporation
ISBN: 0486287858
Size: 19.84 MB
Format: PDF
Category : Juvenile Nonfiction
Languages : en
Pages : 48
View: 753

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Forty four black and white drawings of students playing orchestra and band instruments, including a full school orchestra.