Solo For Piano By John Cage Second Realization Part 1

Solo for Piano by John Cage  Second Realization  Part 1 PDF
Author: David Tudor
Publisher: A-R Editions, Inc.
ISBN: 198720302X
Size: 59.96 MB
Format: PDF, Docs
Category : Music
Languages : un
Pages : 402
View: 6249

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“When I think of music, I think of you and vice-versa,” John Cage told David Tudor in the summer of 1951. Looking back years later, Cage said that every work he composed in the ensuing two decades was composed for Tudor—even if it was not written for the piano, Tudor’s nominal instrument. The collaboration of Cage and Tudor reached an apex in the Solo for Piano from Cage’s Concert for Piano and Orchestra (1957–58). None of Cage’s previous works had employed more than a single type of notation. In contrast, the Solo for Piano consists of eighty-four notational types, ranging from standard line-and-staff notation to extravagant musical graphics. The notational complexity of the Solo for Piano led Tudor to write out—or realize—a performance score, from which he played at the premiere of the Concert for Piano and Orchestra in May 1958. The next spring, when Cage requested music to complement his ninety-minute lecture “Indeterminacy,” Tudor created a second realization, for which he devised a new temporal structure to implement Cage’s notations. This edition of Tudor’s second realization of the Solo for Piano presents Tudor’s performance score in the spatial-temporal layout of its proportional notation. An introductory essay discusses the early collaborations of Cage and Tudor, as well as the genesis, creative process, and performance history of the Solo for Piano. The critical commentary examines each of Tudor’s methods of realization; which notations from Cage’s score Tudor selected and why; how Tudor interpreted Cage’s often ambiguous performance instructions; how Tudor distributed the resulting sounds temporally; and the ways in which Tudor’s realization fulfills, transcends, and sometimes contravenes the instructions of Cage’s score.

Solo For Piano By John Cage Second Realization Part 2

Solo for Piano by John Cage  Second Realization  Part 2 PDF
Author: David Tudor
Publisher: A-R Editions, Inc.
ISBN: 1987203046
Size: 60.37 MB
Format: PDF, Mobi
Category : Music
Languages : un
Pages : 100
View: 3025

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“When I think of music, I think of you and vice-versa,” John Cage told David Tudor in the summer of 1951. Looking back years later, Cage said that every work he composed in the ensuing two decades was composed for Tudor—even if it was not written for the piano, Tudor’s nominal instrument. The collaboration of Cage and Tudor reached an apex in the Solo for Piano from Cage’s Concert for Piano and Orchestra (1957–58). None of Cage’s previous works had employed more than a single type of notation. In contrast, the Solo for Piano consists of eighty-four notational types, ranging from standard line-and-staff notation to extravagant musical graphics. The notational complexity of the Solo for Piano led Tudor to write out—or realize—a performance score, from which he played at the premiere of the Concert for Piano and Orchestra in May 1958. The next spring, when Cage requested music to complement his ninety-minute lecture “Indeterminacy,” Tudor created a second realization, for which he devised a new temporal structure to implement Cage’s notations. This edition of Tudor’s second realization of the Solo for Piano presents Tudor’s performance score in the spatial-temporal layout of its proportional notation. An introductory essay discusses the early collaborations of Cage and Tudor, as well as the genesis, creative process, and performance history of the Solo for Piano. The critical commentary examines each of Tudor’s methods of realization; which notations from Cage’s score Tudor selected and why; how Tudor interpreted Cage’s often ambiguous performance instructions; how Tudor distributed the resulting sounds temporally; and the ways in which Tudor’s realization fulfills, transcends, and sometimes contravenes the instructions of Cage’s score.

John Cages Theater Der Pr Senz

John Cages Theater der Pr  senz PDF
Author: Kattrin Deufert
Publisher: BoD – Books on Demand
ISBN: 3831136882
Size: 76.69 MB
Format: PDF, Kindle
Category : Composition (Music)
Languages : de
Pages : 208
View: 396

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John Cage S Concert For Piano And Orchestra

John Cage s Concert for Piano and Orchestra PDF
Author: Martin Iddon
Publisher: Oxford University Press, USA
ISBN: 0190938471
Size: 52.25 MB
Format: PDF, ePub
Category : Music
Languages : en
Pages : 480
View: 5402

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"The book is a comprehensive examination of John Cage's seminal Concert for Piano and Orchestra. It places the piece into its many contexts, examining its relationship with Cage's compositional practice of indeterminacy more generally, the importance of Cage's teacher, Arnold Schoenberg, on the development of his structural thought, and the impact of Cage's (mis)understanding of jazz. It discusses, on the basis of Cage's sketches and manuscripts, the compositional process at play in the piece. It details the circumstances of the piece's early performances-often described as catastrophes-its recording and promotion, and the part it played in Cage's (successful) hunt for a publisher. It examines in detail the various ways in which Cage's pianist of choice, David Tudor, approached the piece, differing according to whether it was to be performed with an orchestra, alongside Cage delivering the lecture, 'Indeterminacy', or as a piano solo to accompany Merce Cunningham's choreography Antic Meet. It demonstrates the ways in which, despite indeterminacy, the instrumental parts of the piece are amenable to analytical interpretation, especially through a method which exposes the way in which those parts form a sort of network of statistical commonality and difference, analysing, too, the pianist's part, the Solo for Piano, on a similar basis, discussing throughout the practical consequences of Cage's notations for a performer. It shows the way in which the piece played a central role, first, in the construction of who Cage was and what sort of composer he was within the new musical world but, second, how it came to be an important example for professional philosophers in discussing what the limits of the musical work are"--

Lutos Awski On Music

Lutos  awski on Music PDF
Author: Witold Lutosławski
Publisher:
ISBN: 9780810860131
Size: 18.51 MB
Format: PDF, ePub, Mobi
Category : Biography & Autobiography
Languages : en
Pages : 347
View: 4681

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Lutoslawski on Music is the first collection of writings by the Polish twentieth-century composer Witold Lutoslawski. It includes texts about his own compositions and techniques as well as writings on various aspects of twentieth-century musical culture.

The New Leader

The New Leader PDF
Author:
Publisher:
ISBN:
Size: 74.74 MB
Format: PDF, Mobi
Category : Socialism
Languages : en
Pages :
View: 5532

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Komponistenkommentare

Komponistenkommentare PDF
Author: Wolfgang Gratzer
Publisher:
ISBN:
Size: 40.15 MB
Format: PDF, ePub
Category : Composers
Languages : de
Pages : 383
View: 2220

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Du

Du PDF
Author:
Publisher:
ISBN:
Size: 77.24 MB
Format: PDF, Kindle
Category : Art
Languages : de
Pages :
View: 2351

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Im Zenit Der Moderne Geschichte

Im Zenit der Moderne  Geschichte PDF
Author: Gianmario Borio
Publisher:
ISBN:
Size: 17.47 MB
Format: PDF, Mobi
Category : Internationale Ferienkurse für Neue Musik
Languages : de
Pages : 469
View: 1909

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Bd. 1-2: Geschichte ; Bd. 3: Dokumente ; Bd. 4: Register.

Musiktexte

Musiktexte PDF
Author:
Publisher:
ISBN:
Size: 63.72 MB
Format: PDF, ePub, Mobi
Category : Music
Languages : de
Pages :
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John Cage

John Cage PDF
Author: John Cage
Publisher:
ISBN:
Size: 59.49 MB
Format: PDF, Mobi
Category : Art
Languages : de
Pages : 255
View: 786

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The Rosaleen Moldenhauer Memorial

The Rosaleen Moldenhauer Memorial PDF
Author: Rosaleen Moldenhauer
Publisher:
ISBN:
Size: 54.98 MB
Format: PDF, Kindle
Category : Design
Languages : en
Pages : 733
View: 5082

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An amply-illustrated book on the Moldenhauer Archives, spanning the history of Western classical music, with essays by noted experts.